Browse Title Index


 
Issue Title
 
Vol 1, No 1 (2017) Introduction Abstract   PDF   HTML
Dorothee Wimmer
 
Vol 1, No 2 (2017) Introduction Abstract   PDF   HTML
Lukas Fuchsgruber, Thomas Skowronek
 
Vol 2, No 1 (2018) Introduction Abstract   PDF   HTML
Andrea Meyer, Susanne Meyer-Abich
 
Vol 2, No 2 (2018) Introduction Abstract   PDF   HTML
Bénédicte Savoy
 
Vol 2, No 3 (2018) Introduction Abstract   PDF   HTML
Christine Howald, Alexander Hofmann
 
Vol 1, No 1 (2017) "Invaluable Masterpieces": The Price of Art at the Musée Napoléon Abstract   PDF   HTML
Bénédicte Savoy
 
Vol 1, No 2 (2017) Luc Boltanski and Arnaud Esquerre, Enrichissement. Une critique de la marchandise (Paris: Gallimard, 2017) Abstract   PDF   HTML
Léa Saint-Raymond
 
Vol 1, No 1 (2017) Marketing favours: Formal and informal criteria for pricing Albrecht Dürer‘s works between 1500 and 1650 Abstract   PDF   HTML
Anja Grebe
 
Vol 1, No 2 (2017) Michael Hutter, The Rise of the Joyful Economy: Artistic Invention and Economic Growth from Brunelleschi to Murakami (London/New York: Routledge, 2015). Abstract   PDF   HTML
Léa Saint-Raymond
 
Vol 2, No 2 (2018) Mobilisation of moveable assets: Objects designated for the art trade from the National Socialist plundering of the “M-Aktion” Abstract   PDF   HTML
Gitta Ho
 
Vol 2, No 1 (2018) Modern Art Galleries in Paris and Berlin c.1890-1933: types, policies and modes of display Abstract   PDF   HTML
Malcolm Gee
 
Vol 2, No 2 (2018) Monuments on the Move: The Transfer of French medieval heritage overseas in the early twentieth century Abstract   PDF   HTML
Celine Brugeat
 
Vol 1, No 1 (2017) On the price of priceless goods. Sociological Observations on and around Art Basel Abstract   PDF   HTML
Franz Schultheis
 
Vol 2, No 3 (2018) On the Relevance and Potential of Auction Catalogues as Sources for Art Market Research on Asian Art Abstract   PDF   HTML
Britta Bommert
 
Vol 2, No 3 (2018) Private Collection as Collective Operation: Art Dealers’ Impacts on the Formation of the Van Horne Japanese Ceramic Collection Abstract   PDF   HTML
Akiko Takesue
 
Vol 2, No 3 (2018) Provenance Research into the Collection of Chinese Art at the Museum Rietberg: Switzerland and the transnational history of the art market and art collections Abstract   PDF   HTML
Esther Tisa Francini, Alexandra von Przychowski
 
Vol 1, No 2 (2017) Reflections on Provenance Research: Values – Politics – Art Markets Abstract   PDF   HTML
Johannes Gramlich
 
Vol 2, No 2 (2018) Research and restitution: the National Gallery of Australia’s repatriation of a sculpture from the Buddhist site of Chandavaram Abstract   PDF   HTML
Robert Arlt, Lucie Folan
 
Vol 2, No 2 (2018) Rodin’s Sculpture in Japan and the Economics of Translocation Abstract   PDF   HTML
David Martin Challis
 
Vol 2, No 1 (2018) The American Dressing Academy: a venue for early American caricature prints Abstract   PDF   HTML
Allison Stagg
 
Vol 1, No 1 (2017) The Hôtel Drouot as the stock exchange for art. Financialization of art auctions in the nineteenth century Abstract   PDF   HTML
Lukas Fuchsgruber
 
Vol 2, No 3 (2018) The trade in Far Eastern Art in Berlin during the Weimar Republic (1918-1933) Abstract   PDF   HTML
Patrizia Jirka-Schmitz
 
Vol 1, No 2 (2017) The Vicissitudes of Taste: The Market for Pop Abstract   PDF   HTML
Titia Hulst
 
Vol 2, No 3 (2018) Tourism and Collecting in Kyoto: The Miyako Hotel as an Agent in the Creation of the Hon. Henry Marsham Collection of Japanese Art, Maidstone Museum, Kent Abstract   PDF   HTML
Ai Fukunaga
 
Vol 2, No 2 (2018) Tracking dispersal: auction sales from the Yuanmingyuan loot in Paris in the 1860s Abstract   PDF   HTML
Christine Howald, Léa Saint-Raymond
 
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