Browse Title Index


 
Issue Title
 
Vol 2, No 4 (2018) The Artist is Absent: the Artist as Creativity Entrepreneur and Changes in Representation and Practices of "Art" Abstract   PDF   HTML
Franz Schultheis
 
Vol 1, No 1 (2017) The Hôtel Drouot as the stock exchange for art. Financialization of art auctions in the nineteenth century Abstract   PDF   HTML
Lukas Fuchsgruber
 
Vol 2, No 3 (2018) The trade in Far Eastern Art in Berlin during the Weimar Republic (1918-1933) Abstract   PDF   HTML
Patrizia Jirka-Schmitz
 
Vol 1, No 2 (2017) The Vicissitudes of Taste: The Market for Pop Abstract   PDF   HTML
Titia Hulst
 
Vol 2, No 3 (2018) Tourism and Collecting in Kyoto: The Miyako Hotel as an Agent in the Creation of the Hon. Henry Marsham Collection of Japanese Art, Maidstone Museum, Kent Abstract   PDF   HTML
Ai Fukunaga
 
Vol 2, No 2 (2018) Tracking dispersal: auction sales from the Yuanmingyuan loot in Paris in the 1860s Abstract   PDF   HTML
Christine Howald, Léa Saint-Raymond
 
Vol 2, No 4 (2018) Under Control: Sol LeWitt and the Market for Conceptual Art Abstract   PDF   HTML
Martin Hartung
 
Vol 2, No 3 (2018) Well-Advised by Friends: Philipp F. Reemtsma’s East-Asian Collection Abstract   PDF   HTML
Silke Reuther
 
Vol 2, No 4 (2018) "Wonderful Revelations": Scottish Art at the Venice Biennale and the Strategies of Innovation and Reputation, 1897-1899 Abstract   PDF   HTML
Marie Tavinor
 
Vol 2, No 2 (2018) “A Past That Won’t Pass”: Stalin’s Museum Sales in a Transformed Global Context Abstract   PDF   HTML
Waltraud M. Bayer
 
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