Vol. 4 No. 2 (2020): Asian Art: The Formation of Collections

View Vol. 4 No. 2 (2020): Asian Art: The Formation of Collections

Asian Art: The Formation of Collections

Guest Editors: Alexander Hofmann, Christine Howald, Nick Pearce

Cover image: courtesy of the Leo Baeck Institute.

Published: 2020-12-16

Articles

Editorial

Susanne Meyer-Abich
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Introduction

Christine Howald, Alexander Hofmann, Nick Pearce
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A Nestorian Misadventure: Frits Holm and the Chinese Nestorian Stele

Nick Pearce
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Art Historical and Provenance Research in a Case Study of Huangchao Liqi Tushi

Haoyang Zhao
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Enamels “Ancient” and “Rare”: The “Summer Palace” Market in Imperial England

Kate Hill
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The Looting of the Winter Palace in Peking in 1900-1901

Niklas Leverenz
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The Princessehof collection of Chinese ceramics from the former Dutch East Indies

Eline van den Berg
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Chinese Porcelain enters the Louvre: A Collector, his Dealers, and the Parisian Art Market (c. 1870-1912)

Lucie Chopard
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Provenance Research on Chinese Paintings in American Collections of the 1950s: Sherman E. Lee, Walter Hochstadter, and the Cleveland Museum of Art

Noelle Giuffrida
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Seizures and Liquidation Sales in the United States during World War II: Tracking the Fate of Japanese Art Dealership, Yamanaka & Company, Inc.

Najiba Choudhury
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Project Reports

The Reconstruction of the Art Collection of Felix Ganz (1869-1944)

Nathalie Neumann, Adam Ganz
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Recently identified Asian Objects from the Eduard & Margarete Fuchs collection

Ulrich Weitz
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